MA’s Playhouse would like to introduces Mahess Bennett’s cast and characters for his books and original works of art.[more…]
- Sunjata: A very relatable and interesting character. He is a former mercenary in search of inner peace, but continue to fall into deep conflict against the martial art powers of the Centra-unit.
Lynch Blackmyn: An an ex marine that was hired by an elite organization to establish and manage a high power military component called the Centra-unit and use it to hunt Sunjata.
Baba Ujad Heru: Is Sunjata adopted father and the Locked source’s genetic father. He was once a member of the Lambanni Tribe Nine and studied the ancient art of the Totem stance, which consists of Simba Claw, Urete Strike, and the force of Sebek.
“Have fun and live life. As Sunjata would say, “Be Blessed and Manifest…”
For a complete list of characters please visit Sunjata.com! or Sunjata22@yahoo.com
Sunjata Book One: The Blood Wars is available now via Amazon, Barnes and Nobel, and Author House.
M. W. Bennett, better known as Mahess “The Dark Truth” is a cartoonist, published author, poet, father, husband, performance artist, painter and drummer. While serving in the United States Army, he is pursuing his Masters Degree in 3D Animation and working on publishing his second novel.
“I wield the pen upon pages and spit words on stages like a swordsman. I say this because when I write I try to remain sharp, on point and strike with my words. To me, swordsmanship is the equivalent to penmanship and I’m not just talking about mere handwriting. I am here transcribing written-matter as I try to write what matters in a manner of speaking, words spoken as truth.”[more…]
“ART: I embody. My word is of God. I walk as, not following; I live as, not worshipping; I acknowledge the presence of, NO DOUBT and I am that, no fear.”
“Sunjata is everything I am and all that I aspire to become. By visiting Sunjatasaga.com, you’ve entered the world of the Dark Truth (aka The Sunjata Universe). This is only the beginning of something I envision as a powerful movement.”
“Have fun and live life. As Sunjata would say, “Be Blessed and Manifest…”
Feel free to contact me at www.sunjatasaga.com or email@example.com.
Nandi Keyi was born in London, England to parents from Trinidad & Tobago. Like many children of first generation Caribbean immigrants eking out a living in 1960s England, Nandi was dispatched, at age five, to spend the rest of her childhood years with relatives in the Caribbean.
Later she had a decade long journalism and theater career, writing hundreds of articles for major daily and community newspapers in North America before turning her attention to creative writing. Her critically-acclaimed plays have been produced and anthologized. Her essay “Still Shipwrecked on the Shores of My African Self,” was published by the international peer review journal, “Changing English: Studies in Research and Culture” (Taylor & Francis / University of London). The True Nanny Diaries is her debut novel.
Please visit amazon.com.
- Cry for a Leader, produced in St. Lucia, 1950.
- Senza Alcum Sospetto (radio play), broadcast 1950, produced as Paolo and Francesca, in St. Lucia, 1951.
- (And director) Henri Christophe: A Chronicle in Seven Scenes (first produced in Castries, West Indies, 1950; produced in London, England, 1952), Barbados Advocate (Bridgetown, Barbados), 1950.
- Robin and Andrea, published in Bim (Christ Church, Barados), 1950. [more…]
- Three Assassins, produced in St. Lucia, West Indies, 1951.
- The Price of Mercy, produced in St. Lucia, West Indies, 1951.
- (And director) Harry Dernier: A Play for Radio Production (produced in Mona, Jamaica, 1952; radio play broadcast as Dernier, 1952), Barbados Advocate (Bridgetown, Barbados), 1952.
- (And director) The Wine of the Country (produced in Mona, Jamaica, 1956), University College of the West Indies (Mona, Jamaica), 1953.
- The Sea at Dauphin: A Play in One Act (first produced in Mona, Jamaica, 1953; produced in Trinidad, 1954, London, England, 1960, New York, NY, 1978), Extra-Mural Department, University College of the West Indies (Mona, Jamaica), 1954, also included in Dream on Monkey Mountain and Other Plays (also see below).
- Crossroads, produced in Jamaica, 1954.
- (And director) The Charlatan, Walcott directed first production in Mona, Jamaica, 1954; revised version with music by Fred Hope and Rupert Dennison produced in Port-of-Spain, Trinidad, 1973; revised version with music by Galt MacDermot produced in Los Angeles, 1974; revised version produced in Port-of-Spain, Trinidad, 1977.
- Ione: A Play with Music (first produced in Kingston, 1957), Extra-Mural Department, University College of the West Indies (Mona, Jamaica), 1957.
- Drums and Colours: An Epic Drama (first produced in Port-of-Spain, Trinidad, 1958), published in Caribbean Quarterly, March-June, 1961.
- (And director) Ti-Jean and His Brothers (first produced in Castries, St. Lucia, 1957; Walcott directed a revised version produced in Port-of-Spain, Trinidad, 1958; produced in Hanover, NH, 1971; Walcott directed a production Off-Broadway at Delacorte Theatre, 1972; produced in London, 1986), included in Dream on Monkey Mountain and Other Plays(also see below).
- Malcauchon; or, The Six in the Rain (sometimes “Malcauchon” transliterated as “Malcochon”; one-act; first produced as Malcauchon in Castries, St. Lucia, 1959; produced as Six in the Rain, in London, England, 1960; produced Off-Broadway at St. Mark’s Playhouse, 1969), Extra-Mural Department, University of West Indies (Port-of-Spain, Trinidad), 1966, also included in Dream on Monkey Mountain and Other Plays (also see below).
- Jourmard; or, A Comedy till the Last Minute, first produced in St. Lucia, 1959; produced in New York, NY, 1962.
- (And director) Batai (carnival show), produced in Port-of-Spain, Trinidad, 1965.
- (And director) Dream on Monkey Mountain (first produced in Toronto, Ontario, Canada, 1967; produced in Waterford, CT, 1969; and Off-Broadway at St. Mark’s Playhouse, 1970), included in Dream on Monkey Mountain and Other Plays (also see below).
- (And director) Franklin: A Tale of the Islands, first produced in Georgetown, Guyana, 1969; Walcott directed a revised version produced in Port-of-Spain, Trinidad, 1973.
- Dream on Monkey Mountain and Other Plays (contains Dream on Monkey Mountain, The Sea at Dauphin,Malcauchon; or, The Six in the Rain, Ti-Jean and His Brothers, and the essay “What the Twilight Says: An Overture”), Farrar, Straus (New York, NY), 1970.
- (And director) In a Fine Castle, (Walcott directed first production in Mona, Jamaica, 1970; produced in Los Angeles, CA, 1972), excerpt as Conscience of a Revolution published in Express (Port-of-Spain, Trinidad), October 24, 1971.
- The Joker of Seville (musical; music by Galt MacDermot; adaptation of the play by Tirso de Molina; first produced in Port-of-Spain, Trinidad, 1974), included in The Joker of Seville and O Babylon!: Two Plays (also see below).
- (And director) O Babylon! (music by Galt MacDermot; Walcott directed first production in Port-of-Spain, Trinidad, 1976; produced in London, England, 1988), included in The Joker of Seville and O Babylon!: Two Plays (also see below).
- (And director) Remembrance (three-act; Walcott directed first production in St. Croix, Virgin Islands, December, 1977; produced Off-Broadway at The Other Stage, 1979 ; and London, England, 1980), included inRemembrance & Pantomime: Two Plays (also see below).
- The Snow Queen (television play), excerpt published in People(Port-of-Spain, Trinidad), April, 1977.
- Pantomime (first produced in Port-of-Spain, Trinidad, 1978; produced London, England, 1979, Washington, DC, 1981, and Off-Broadway at the Hudson Guild Theater, 1986), included in Remembrance & Pantomime: Two Plays (also see below).
- The Joker of Seville and O Babylon!: Two Plays, Farrar, Straus (New York, NY), 1978.
- (And director) Marie Laveau (music by Galt MacDermot; first produced in St. Thomas, U.S. Virgin Islands, 1979), excerpts published in Trinidad and Tobago Review (Tunapuna), 1979.
- Remembrance & Pantomime: Two Plays, Farrar, Straus (New York, NY), 1980.
- Beef, No Chicken (Walcott directed first production in New Haven, CT, 1982; produced in London, England, 1989), included in Three Plays (also see below).
- The Isle Is Full of Noises, first produced at the John W. Huntington Theater, Hartford, CT, 1982.
- Three Plays (contains The Last Carnival, Beef, No Chicken, and A Branch of the Blue Nile), Farrar, Straus (New York, NY), 1986.
- Steel, first produced at the American Repertory Theatre, Cambridge, MA, 1991.
- The Odyssey: A Stage Version, Farrar, Straus (New York, NY), 1993.
- (With Paul Simon) The Capeman: A Musical (produced on Broadway at the Marquis Theater, December, 1997), Farrar, Straus (New York, NY), 1998.
- The Haitian Trilogy, Farrar, Straus and Giroux (New York, NY), 2002.
Additional plays can be found on Wiki
He had an early sense of a vocation as a writer. In the poem “Midsummer” (1984),
“Forty years gone, in my island childhood, I felt that
the gift of poetry had made me one of the chosen,
that all experience was kindling to the fire of the Muse.”
At 14, Walcott published his first poem, a Miltonic, religious poem in the newspaper, The Voice of St Lucia. An English Catholic priest condemned the Methodist-inspired poem as blasphemous in a response printed in the newspaper.
By 19, Walcott had self-published his two first collections with the aid of his mother, who paid for the printing: 25 Poems (1948) and Epitaph for the Young: XII Cantos (1949). He sold copies to his friends and covered the costs.
He later commented,
“I went to my mother and said, ‘I’d like to publish a book of poems, and I think it’s going to cost me two hundred dollars.’ She was just a seamstress and a schoolteacher, and I remember her being very upset because she wanted to do it. Somehow she got it—a lot of money for a woman to have found on her salary. She gave it to me, and I sent off to Trinidad and had the book printed. When the books came back I would sell them to friends. I made the money back.”
For more poem please visit poem hunter!
Broad sun-stoned beaches.
A green river.
scorched yellow palms
from the summer-sleeping house
drowsing through August.
Days I have held,
days I have lost,
days that outgrow, like daughters,
my harbouring arms.
Walcott was born and raised in Castries, Saint Lucia, in the West Indies with a twin brother, the future playwright Roderick Walcott, and a sister, Pamela Walcott. His family is of African and European descent, reflecting the complex colonial history of the island which he explores in his poetry. His mother, a teacher, loved the arts and often recited poetry around the house. His father, who painted and wrote poetry, died at age 31 from mastoiditis while his wife was pregnant with the twins Derek and Roderick, who were born after his death. Walcott’s family was part of a minority Methodist community, who felt overshadowed by the dominant Catholic culture of the island established during French colonial rule.
As a young man Walcott trained as a painter, mentored by Harold Simmons, whose life as a professional artist provided an inspiring example for him. Walcott greatly admired Cézanne and Giorgione and sought to learn from them.
Walcott studied as a writer, becoming “an elated, exuberant poet madly in love with English” and strongly influenced by modernist poets such as T. S. Eliot and Ezra Pound.
For a full biography please check Caribbean Beats!
According to Peepal Tree Press Yvonne Weekes legacy living on today. She is remembered in Montserrat as the inspired and dynamic director of the Rainbow Theatre Company, with brilliant productions of Moon on a Rainbow Shawl, Old Story Time, and other Caribbean plays, which she produced while working as Director of Culture on the island. She also took part in the satirical play ‘Women + Men + Women’ at Carifesta in Trinidad. It is a pleasure to have this book available and added to the growing volcano literature that has evolved during Montserrat’s volcanic period.
Additional information can be found on Peepal Tree Press!
Yvonne Weekes believes that “if you touch one soul, you change the world.” As producer, director, performance poet, and teacher facilitator, she has touched the lives of quite a few. Yvonne Weeks has successfully combined her all of her skills to offer unique workshops dealing with a variety of social issues in Barbados in order to empower and educate others as well. It shows through her commitment to the theatre and her company.
For additional information on Yvonne Weeks career please visit Writers Inc blog!
Born in 1965 even as a young child Yvonne Weekes had the desire to be apart of the theatre. she is currently an established an actress, writer/director, teacher, and currently the Theatre Arts Coordinator at Barbados Community College. Winner of the Frank Collymore Literary Award in 2004 for her memoir, Volcano, her first play, Blue Soap, was published in 2010. Her most recent work, Broken Dolls, aired on CBC in 2011. Yvonne is currently involved in writing and directing community drama pieces for the AIDS Foundation of Barbados, the Ministry of Health and the Barbados Government Information Service that deal with AIDS awareness, stigmatization and discrimination as well as other chronic non-communicable diseases. [more…]
Yvonne’s appearance at GR11 on Saturday, June 18, bridges the literary and theatrical when she takes to the Folkestone stage with the Barbados Community College theatre group. (Green Readings is a trademark of ArtsEtc.)
For additional information check out Stage Right, Stage Left blog!